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	<title>Comments on: The Four Seductions</title>
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	<description>a multi-disciplinary dialog</description>
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		<title>By: Arthur Whitman</title>
		<link>http://artandperception.com/2006/11/the-four-seductions.html/comment-page-1#comment-1097</link>
		<dc:creator>Arthur Whitman</dc:creator>
		<pubDate>Sat, 11 Nov 2006 03:00:47 +0000</pubDate>
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		<description>Paul, I appreciate and largely agree with your comments. I am beginning to suspect that our views are not as opposed as I had thought. It appears that I often have an exaggerated sense of difference, one that sometimes masks clear understanding of other people&#039;s positions. Of course, the &quot;conversation&quot; goes on.

I&#039;m a little concerned that there seems to be no distinction being made between aesthetically ugly subjects (Arbus) and morally &quot;ugly&quot; ones (Hine and ok sometimes Arbus too). Of course, the fact that both can be labeled as forms of ugliness suggests that on some emotional level we relate the two. Still, I think its an important (if slippery) distinction.

&lt;i&gt;I also think that it’s frighteningly easy to make a glib ‘Piss Christ’ or “Madonna and Child” knockoff, provoke a big controversy, and establish a spotlighted ‘artistic’ career without ever making art which is insightful or even very good&lt;/i&gt;

Agreed, but I think this happens far less often than you seem to believe. Perhaps such work receives a disproportionate share of attention in the tabloid media (and understandably so). But so what? And while these may be overused as models, I wouldn&#039;t want to discourage thoughtful young artists from following in their footsteps (or Arbus&#039;, or Goya&#039;s, although further distinctions need to be made between these artists).</description>
		<content:encoded><![CDATA[<p>Paul, I appreciate and largely agree with your comments. I am beginning to suspect that our views are not as opposed as I had thought. It appears that I often have an exaggerated sense of difference, one that sometimes masks clear understanding of other people&#8217;s positions. Of course, the &#8220;conversation&#8221; goes on.</p>
<p>I&#8217;m a little concerned that there seems to be no distinction being made between aesthetically ugly subjects (Arbus) and morally &#8220;ugly&#8221; ones (Hine and ok sometimes Arbus too). Of course, the fact that both can be labeled as forms of ugliness suggests that on some emotional level we relate the two. Still, I think its an important (if slippery) distinction.</p>
<p><i>I also think that it’s frighteningly easy to make a glib ‘Piss Christ’ or “Madonna and Child” knockoff, provoke a big controversy, and establish a spotlighted ‘artistic’ career without ever making art which is insightful or even very good</i></p>
<p>Agreed, but I think this happens far less often than you seem to believe. Perhaps such work receives a disproportionate share of attention in the tabloid media (and understandably so). But so what? And while these may be overused as models, I wouldn&#8217;t want to discourage thoughtful young artists from following in their footsteps (or Arbus&#8217;, or Goya&#8217;s, although further distinctions need to be made between these artists).</p>
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		<title>By: Arthur Whitman</title>
		<link>http://artandperception.com/2006/11/the-four-seductions.html/comment-page-1#comment-1096</link>
		<dc:creator>Arthur Whitman</dc:creator>
		<pubDate>Sat, 11 Nov 2006 02:59:26 +0000</pubDate>
		<guid isPermaLink="false">http://www.artandperception.com/2006/11/the-four-seductions.html#comment-1096</guid>
		<description>Paul, I appreciate and largely agree with your comments. I am beginning to suspect that our views are not as opposed as I had thought. It appears that I often have an exaggerated sense of difference, one that sometimes masks clear understanding of other people&#039;s positions. Of course, the &quot;conversation&quot; goes on.

I&#039;m a little concerned that there seems to be no distinction being made between aesthetically ugly subjects (Arbus) and morally &quot;ugly&quot; ones (Hine and ok sometimes Arbus too). Of course, the fact that both can be labeled as forms of ugliness suggests that on some emotional level we relate the two. Still, I think its an important (if slippery) distinction.

&lt;i&gt;I also think that it’s frighteningly easy to make a glib ‘Piss Christ’ or “Madonna and Child” knockoff, provoke a big controversy, and establish a spotlighted ‘artistic’ career without ever making art which is insightful or even very good&lt;/i&gt;

Agreed, but I think this happens far less often than you seem to believe. Perhaps such work receives a disproportionate share of attention in the tabloid media (and understandably so). But so what? And while these may be overused as models, I wouldn&#039;t want to thoughtful discourage young artists from following in their footsteps (or Arbus&#039;, or Goya&#039;s, although further distinctions need to be made between these artists).</description>
		<content:encoded><![CDATA[<p>Paul, I appreciate and largely agree with your comments. I am beginning to suspect that our views are not as opposed as I had thought. It appears that I often have an exaggerated sense of difference, one that sometimes masks clear understanding of other people&#8217;s positions. Of course, the &#8220;conversation&#8221; goes on.</p>
<p>I&#8217;m a little concerned that there seems to be no distinction being made between aesthetically ugly subjects (Arbus) and morally &#8220;ugly&#8221; ones (Hine and ok sometimes Arbus too). Of course, the fact that both can be labeled as forms of ugliness suggests that on some emotional level we relate the two. Still, I think its an important (if slippery) distinction.</p>
<p><i>I also think that it’s frighteningly easy to make a glib ‘Piss Christ’ or “Madonna and Child” knockoff, provoke a big controversy, and establish a spotlighted ‘artistic’ career without ever making art which is insightful or even very good</i></p>
<p>Agreed, but I think this happens far less often than you seem to believe. Perhaps such work receives a disproportionate share of attention in the tabloid media (and understandably so). But so what? And while these may be overused as models, I wouldn&#8217;t want to thoughtful discourage young artists from following in their footsteps (or Arbus&#8217;, or Goya&#8217;s, although further distinctions need to be made between these artists).</p>
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		<title>By: David</title>
		<link>http://artandperception.com/2006/11/the-four-seductions.html/comment-page-1#comment-1092</link>
		<dc:creator>David</dc:creator>
		<pubDate>Fri, 10 Nov 2006 23:13:49 +0000</pubDate>
		<guid isPermaLink="false">http://www.artandperception.com/2006/11/the-four-seductions.html#comment-1092</guid>
		<description>Colin, thanks. I saw on the site that there was some information about color management, which at some point I need to learn about.</description>
		<content:encoded><![CDATA[<p>Colin, thanks. I saw on the site that there was some information about color management, which at some point I need to learn about.</p>
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		<title>By: Colin Jago</title>
		<link>http://artandperception.com/2006/11/the-four-seductions.html/comment-page-1#comment-1088</link>
		<dc:creator>Colin Jago</dc:creator>
		<pubDate>Fri, 10 Nov 2006 22:04:56 +0000</pubDate>
		<guid isPermaLink="false">http://www.artandperception.com/2006/11/the-four-seductions.html#comment-1088</guid>
		<description>For some reason this comment isn&#039;t posting, so I&#039;m trying again....

David, sorry I should have checked that the Salgado link was more than a book ad.  There is lots on the web though.  His bio, care of &lt;a href=&quot;http://www.unicef.org/salgado/bio.htm&quot; rel=&quot;nofollow&quot;&gt;Unicef&lt;/a&gt; gives a quick intro and his book titles.

The site that I directed you to is mostly an equipment site, but there are articles of wider interest.  It is one of the big hitters in terms of audience (million per month range), and influential.</description>
		<content:encoded><![CDATA[<p>For some reason this comment isn&#8217;t posting, so I&#8217;m trying again&#8230;.</p>
<p>David, sorry I should have checked that the Salgado link was more than a book ad.  There is lots on the web though.  His bio, care of <a href="http://www.unicef.org/salgado/bio.htm" rel="nofollow">Unicef</a> gives a quick intro and his book titles.</p>
<p>The site that I directed you to is mostly an equipment site, but there are articles of wider interest.  It is one of the big hitters in terms of audience (million per month range), and influential.</p>
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		<title>By: Colin Jago</title>
		<link>http://artandperception.com/2006/11/the-four-seductions.html/comment-page-1#comment-1086</link>
		<dc:creator>Colin Jago</dc:creator>
		<pubDate>Fri, 10 Nov 2006 22:02:05 +0000</pubDate>
		<guid isPermaLink="false">http://www.artandperception.com/2006/11/the-four-seductions.html#comment-1086</guid>
		<description>David, sorry I should have checked that the Salgado link was more than a book ad.  There is lots on the web though.  His bio, care of &lt;a href=&quot;http://www.unicef.org/salgado/bio.htm&quot; rel=&quot;nofollow&quot;&gt;Unicef&lt;/a&gt; gives a quick intro and his book titles.

The site that I directed you to is mostly an equipment site, but there are articles of wider interest.  It is one of the big hitters in terms of audience (million per month range), and influential.</description>
		<content:encoded><![CDATA[<p>David, sorry I should have checked that the Salgado link was more than a book ad.  There is lots on the web though.  His bio, care of <a href="http://www.unicef.org/salgado/bio.htm" rel="nofollow">Unicef</a> gives a quick intro and his book titles.</p>
<p>The site that I directed you to is mostly an equipment site, but there are articles of wider interest.  It is one of the big hitters in terms of audience (million per month range), and influential.</p>
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		<title>By: David</title>
		<link>http://artandperception.com/2006/11/the-four-seductions.html/comment-page-1#comment-1071</link>
		<dc:creator>David</dc:creator>
		<pubDate>Fri, 10 Nov 2006 17:08:44 +0000</pubDate>
		<guid isPermaLink="false">http://www.artandperception.com/2006/11/the-four-seductions.html#comment-1071</guid>
		<description>Colin, thanks for the link. The site looks fascinating. The Salgado link I found there only took me to the cover of his book on Amazon. Wasn&#039;t able to look inside. I&#039;ll have to do some digging around to see more of his images.

Interesting that we have such different reactions to Burtynsky. I&#039;m totally knocked out by his work. I guess that&#039;s why there are so many differnt flavors of jellybeans :)</description>
		<content:encoded><![CDATA[<p>Colin, thanks for the link. The site looks fascinating. The Salgado link I found there only took me to the cover of his book on Amazon. Wasn&#8217;t able to look inside. I&#8217;ll have to do some digging around to see more of his images.</p>
<p>Interesting that we have such different reactions to Burtynsky. I&#8217;m totally knocked out by his work. I guess that&#8217;s why there are so many differnt flavors of jellybeans :)</p>
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		<title>By: Colin Jago</title>
		<link>http://artandperception.com/2006/11/the-four-seductions.html/comment-page-1#comment-1069</link>
		<dc:creator>Colin Jago</dc:creator>
		<pubDate>Fri, 10 Nov 2006 16:59:01 +0000</pubDate>
		<guid isPermaLink="false">http://www.artandperception.com/2006/11/the-four-seductions.html#comment-1069</guid>
		<description>David:  

If you enjoyed the shipbreaking photos then you might find &lt;a href=&quot;http://www.luminous-landscape.com/locations/ship-breaking.shtml&quot; rel=&quot;nofollow&quot;&gt;this page&lt;/a&gt;, which contains other information about the location, interesting.

In particular, follow the link about Salgado.  Now, there truly is an artist who can make beauty from anything.  Human misery notwithstanding.

I find that the Burtynsky photos tend towards the pretty.  The web presentation doesn&#039;t do them any favours - they probably need to be seen much larger - but most of his work doesn&#039;t create a reaction in me at all.</description>
		<content:encoded><![CDATA[<p>David:  </p>
<p>If you enjoyed the shipbreaking photos then you might find <a href="http://www.luminous-landscape.com/locations/ship-breaking.shtml" rel="nofollow">this page</a>, which contains other information about the location, interesting.</p>
<p>In particular, follow the link about Salgado.  Now, there truly is an artist who can make beauty from anything.  Human misery notwithstanding.</p>
<p>I find that the Burtynsky photos tend towards the pretty.  The web presentation doesn&#8217;t do them any favours &#8211; they probably need to be seen much larger &#8211; but most of his work doesn&#8217;t create a reaction in me at all.</p>
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