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	<title>Comments on: Fine Art vs. Commercial Art</title>
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	<link>http://artandperception.com/2007/01/fine-vs-commercial-art.html?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=fine-vs-commercial-art</link>
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		<title>By: Cijulnag</title>
		<link>http://artandperception.com/2007/01/fine-vs-commercial-art.html/comment-page-1#comment-270982</link>
		<dc:creator>Cijulnag</dc:creator>
		<pubDate>Fri, 25 Nov 2011 12:31:47 +0000</pubDate>
		<guid isPermaLink="false">http://www.artandperception.com/2007/01/fine-vs-commercial-art.html#comment-270982</guid>
		<description>Hello Rex, 

Personally I think - after read all the arguments/debate above- I find the conclusion. As a live human. &quot;Art much less important than life, but what a poor life without art&quot; (Unnamed)

There&#039;s no real &quot;fine artist&quot; without body and soul. There&#039;s no body without foods.There&#039;s no foods without money.

Fine art is only for art sake. Even a gallery try to exhibit it&#039;s fine art work aims to show it to the peoples due to this gallery reputation, event, prestige etc... so it&#039;s already miss from the first rules.. &quot;Only for art sake&quot;

and for e fine artist too..
try to live and works in third world country with it&#039;s fine art skill only..
I guarantee soon the artist will be dead in poverty; no foods, no beverages etc..

So fine art is very complicated and almost not possible to do  for poor artist even he is talented in art..and I agreed with Dan notes above :

 &quot;I think that the “fine art” world has become controlled by an elite few, mostly public servants who head state run galleries and government grant issueing bodies, and as a result all of the “talent” has moved to the commercial arts&quot;

it sound capitalism system influence art. Personally I don&#039;t like it.
I more agree that we have a GIFTS from God -or nature if you&#039;re an atheist- it&#039;s our TALENTS... or ability to create something... for life it self ability to paint...and if &quot;a fine artist&quot; refused a commission art because his idealism about &quot;Fine Art&quot; when actually he really needs money for: his wife medication, pay the house rent, pay the kids school, pay the bills etc... and he able to do it easily... but he don&#039;t...

Yes maybe he is a Great Fine Artist for some peoples... but for me He is the most stupid person in the world... stupid father.. stupid husband.. etc..

I found lot of case like this is my country.. 3rd world country. Lot&#039;s of fine artist divorce.. abandoned his wife and children..living in a dirty flat.. sick.. eat Geckos for survive... no foods..no money... and dead terribly...unleash you are son of Donald trump or Bill Gates may be this will not happen... :)

Rex you choose the right decision. :)

http://high-end-skills.deviantart.com/

Life: For Art, By Art, for Art..


thank you,</description>
		<content:encoded><![CDATA[<p>Hello Rex, </p>
<p>Personally I think &#8211; after read all the arguments/debate above- I find the conclusion. As a live human. &#8220;Art much less important than life, but what a poor life without art&#8221; (Unnamed)</p>
<p>There&#8217;s no real &#8220;fine artist&#8221; without body and soul. There&#8217;s no body without foods.There&#8217;s no foods without money.</p>
<p>Fine art is only for art sake. Even a gallery try to exhibit it&#8217;s fine art work aims to show it to the peoples due to this gallery reputation, event, prestige etc&#8230; so it&#8217;s already miss from the first rules.. &#8220;Only for art sake&#8221;</p>
<p>and for e fine artist too..<br />
try to live and works in third world country with it&#8217;s fine art skill only..<br />
I guarantee soon the artist will be dead in poverty; no foods, no beverages etc..</p>
<p>So fine art is very complicated and almost not possible to do  for poor artist even he is talented in art..and I agreed with Dan notes above :</p>
<p> &#8220;I think that the “fine art” world has become controlled by an elite few, mostly public servants who head state run galleries and government grant issueing bodies, and as a result all of the “talent” has moved to the commercial arts&#8221;</p>
<p>it sound capitalism system influence art. Personally I don&#8217;t like it.<br />
I more agree that we have a GIFTS from God -or nature if you&#8217;re an atheist- it&#8217;s our TALENTS&#8230; or ability to create something&#8230; for life it self ability to paint&#8230;and if &#8220;a fine artist&#8221; refused a commission art because his idealism about &#8220;Fine Art&#8221; when actually he really needs money for: his wife medication, pay the house rent, pay the kids school, pay the bills etc&#8230; and he able to do it easily&#8230; but he don&#8217;t&#8230;</p>
<p>Yes maybe he is a Great Fine Artist for some peoples&#8230; but for me He is the most stupid person in the world&#8230; stupid father.. stupid husband.. etc..</p>
<p>I found lot of case like this is my country.. 3rd world country. Lot&#8217;s of fine artist divorce.. abandoned his wife and children..living in a dirty flat.. sick.. eat Geckos for survive&#8230; no foods..no money&#8230; and dead terribly&#8230;unleash you are son of Donald trump or Bill Gates may be this will not happen&#8230; :)</p>
<p>Rex you choose the right decision. :)</p>
<p><a href="http://high-end-skills.deviantart.com/" rel="nofollow">http://high-end-skills.deviantart.com/</a></p>
<p>Life: For Art, By Art, for Art..</p>
<p>thank you,</p>
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		<title>By: HEMA</title>
		<link>http://artandperception.com/2007/01/fine-vs-commercial-art.html/comment-page-1#comment-127739</link>
		<dc:creator>HEMA</dc:creator>
		<pubDate>Sat, 14 Jun 2008 11:44:23 +0000</pubDate>
		<guid isPermaLink="false">http://www.artandperception.com/2007/01/fine-vs-commercial-art.html#comment-127739</guid>
		<description>wants a differnce between commercial art &amp; applied art</description>
		<content:encoded><![CDATA[<p>wants a differnce between commercial art &amp; applied art</p>
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		<title>By: Margaret</title>
		<link>http://artandperception.com/2007/01/fine-vs-commercial-art.html/comment-page-1#comment-120205</link>
		<dc:creator>Margaret</dc:creator>
		<pubDate>Sat, 31 May 2008 19:18:49 +0000</pubDate>
		<guid isPermaLink="false">http://www.artandperception.com/2007/01/fine-vs-commercial-art.html#comment-120205</guid>
		<description>Rex - one my students posted a link to this post as part of his answer to a question in our online classroom about commercial art vs. fine art. I wanted to tell you I absolutely LOVED your story about the blue flames that so perfectly matched the customer&#039;s bedspread! As someone who has straddled both the fine art and commercial art fields I applaud your astute observations.</description>
		<content:encoded><![CDATA[<p>Rex &#8211; one my students posted a link to this post as part of his answer to a question in our online classroom about commercial art vs. fine art. I wanted to tell you I absolutely LOVED your story about the blue flames that so perfectly matched the customer&#8217;s bedspread! As someone who has straddled both the fine art and commercial art fields I applaud your astute observations.</p>
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		<title>By: dan</title>
		<link>http://artandperception.com/2007/01/fine-vs-commercial-art.html/comment-page-1#comment-17693</link>
		<dc:creator>dan</dc:creator>
		<pubDate>Thu, 24 May 2007 03:00:52 +0000</pubDate>
		<guid isPermaLink="false">http://www.artandperception.com/2007/01/fine-vs-commercial-art.html#comment-17693</guid>
		<description>Hi, 

I&#039;m actually a student at art school and am writing an essay on commercial art vs &quot;fine art&quot;, and I found your opinion interesting.  I&#039;m basically of the same opinion. I think that the &quot;fine art&quot; world has become controlled by an elite few, mostly public servants who head state run galleries and government grant issueing bodies, and as a result all of the &quot;talent&quot; has moved to the commercial arts.  

I was having a debate with my supervisor over this (we don&#039;t agree obviously).  My essay is specifically about Frazetta, comparing him to other great hero/narrative painters of history, of which there is plenty of precedent.  My supervisor kept coming up with fairly lame reason&#039;s why &quot;my guy&quot; (apparently commercial artist&#039;s aren&#039;t good enough for him to refer to them by name) wasn&#039;t a real artist.  He basically said that to be a real artist, you had to express doubt, anxiety, uncertainty, and explore problems.  What a load of rubbish!  That&#039;s perhaps true if you&#039;re an insecure loser who isn&#039;t sure about anything.  

Another thing I hate is the the &quot;fine art&quot; world is so snobbishly dismissive of any art that people like, i.e. true &quot;pop art&quot;, like comics, landscape photography, fantasy art, etc.  The fine art world is of the belief that if a work is &quot;too easily digestible&quot; then it must be bad because it isn&#039;t challenging or confronting.  The belief around my school is that &quot;real art&quot; is difficult, challenges, and confronts the viewer - i.e. the viewer doesn&#039;t like what they see.  No wonder fine art has marginalised itself while film/tv has come to such cultural dominance.  

anyway that&#039;s my beef.  if you have any helpful info please email me!</description>
		<content:encoded><![CDATA[<p>Hi, </p>
<p>I&#8217;m actually a student at art school and am writing an essay on commercial art vs &#8220;fine art&#8221;, and I found your opinion interesting.  I&#8217;m basically of the same opinion. I think that the &#8220;fine art&#8221; world has become controlled by an elite few, mostly public servants who head state run galleries and government grant issueing bodies, and as a result all of the &#8220;talent&#8221; has moved to the commercial arts.  </p>
<p>I was having a debate with my supervisor over this (we don&#8217;t agree obviously).  My essay is specifically about Frazetta, comparing him to other great hero/narrative painters of history, of which there is plenty of precedent.  My supervisor kept coming up with fairly lame reason&#8217;s why &#8220;my guy&#8221; (apparently commercial artist&#8217;s aren&#8217;t good enough for him to refer to them by name) wasn&#8217;t a real artist.  He basically said that to be a real artist, you had to express doubt, anxiety, uncertainty, and explore problems.  What a load of rubbish!  That&#8217;s perhaps true if you&#8217;re an insecure loser who isn&#8217;t sure about anything.  </p>
<p>Another thing I hate is the the &#8220;fine art&#8221; world is so snobbishly dismissive of any art that people like, i.e. true &#8220;pop art&#8221;, like comics, landscape photography, fantasy art, etc.  The fine art world is of the belief that if a work is &#8220;too easily digestible&#8221; then it must be bad because it isn&#8217;t challenging or confronting.  The belief around my school is that &#8220;real art&#8221; is difficult, challenges, and confronts the viewer &#8211; i.e. the viewer doesn&#8217;t like what they see.  No wonder fine art has marginalised itself while film/tv has come to such cultural dominance.  </p>
<p>anyway that&#8217;s my beef.  if you have any helpful info please email me!</p>
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		<title>By: David</title>
		<link>http://artandperception.com/2007/01/fine-vs-commercial-art.html/comment-page-1#comment-4080</link>
		<dc:creator>David</dc:creator>
		<pubDate>Mon, 22 Jan 2007 17:27:06 +0000</pubDate>
		<guid isPermaLink="false">http://www.artandperception.com/2007/01/fine-vs-commercial-art.html#comment-4080</guid>
		<description>&lt;i&gt;Look at the art in CD jackets, for example. Pretty wild stuff.&lt;/i&gt;

Seems to me there&#039;s both good and boring stuff going on in &quot;fine&quot; &lt;i&gt;and&lt;/i&gt;&quot;commercial&quot; art. By &quot;commercial&quot; art I&#039;m assuming you mean advertising or illustration, as opposed to &quot;commercial fine art&quot; like Kincaid or that blue dog person.

Since commercial art is about selling something other than the art itself, the only kind I can get excited about actually doing is art that sells something I like. Music is shrinkingly in that category, in the sense that while I love music, the artwork keeps getting smaller. First there were album covers, then smaller CD covers, and now it&#039;s whatever can be viewed on your iPod.</description>
		<content:encoded><![CDATA[<p><i>Look at the art in CD jackets, for example. Pretty wild stuff.</i></p>
<p>Seems to me there&#8217;s both good and boring stuff going on in &#8220;fine&#8221; <i>and</i>&#8220;commercial&#8221; art. By &#8220;commercial&#8221; art I&#8217;m assuming you mean advertising or illustration, as opposed to &#8220;commercial fine art&#8221; like Kincaid or that blue dog person.</p>
<p>Since commercial art is about selling something other than the art itself, the only kind I can get excited about actually doing is art that sells something I like. Music is shrinkingly in that category, in the sense that while I love music, the artwork keeps getting smaller. First there were album covers, then smaller CD covers, and now it&#8217;s whatever can be viewed on your iPod.</p>
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		<title>By: Karl Zipser</title>
		<link>http://artandperception.com/2007/01/fine-vs-commercial-art.html/comment-page-1#comment-3999</link>
		<dc:creator>Karl Zipser</dc:creator>
		<pubDate>Sat, 20 Jan 2007 20:52:57 +0000</pubDate>
		<guid isPermaLink="false">http://www.artandperception.com/2007/01/fine-vs-commercial-art.html#comment-3999</guid>
		<description>Rex,

This Wyeth painting is interesting in the way it has such a strong chromatic impact with a limited palette. White and grays play the role of blue, for example, a do so effectively.</description>
		<content:encoded><![CDATA[<p>Rex,</p>
<p>This Wyeth painting is interesting in the way it has such a strong chromatic impact with a limited palette. White and grays play the role of blue, for example, a do so effectively.</p>
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		<title>By: Rex</title>
		<link>http://artandperception.com/2007/01/fine-vs-commercial-art.html/comment-page-1#comment-3993</link>
		<dc:creator>Rex</dc:creator>
		<pubDate>Sat, 20 Jan 2007 19:41:26 +0000</pubDate>
		<guid isPermaLink="false">http://www.artandperception.com/2007/01/fine-vs-commercial-art.html#comment-3993</guid>
		<description>Yes June,

The dividing line is personal pleasure. For me, that means &lt;i&gt;passion&lt;/i&gt;. I have to have it. If I do, it comes through in the work; if I don&#039;t, I just can&#039;t fake it.

(Well, not for long, anyway.)

What you say about the joy of the frumpy unpredictability of random irregularities makes total sense. On the other hand, there&#039;s a lot of commercial work that&#039;s fantastically loose. Look at the art in CD jackets, for example. Pretty wild stuff.</description>
		<content:encoded><![CDATA[<p>Yes June,</p>
<p>The dividing line is personal pleasure. For me, that means <i>passion</i>. I have to have it. If I do, it comes through in the work; if I don&#8217;t, I just can&#8217;t fake it.</p>
<p>(Well, not for long, anyway.)</p>
<p>What you say about the joy of the frumpy unpredictability of random irregularities makes total sense. On the other hand, there&#8217;s a lot of commercial work that&#8217;s fantastically loose. Look at the art in CD jackets, for example. Pretty wild stuff.</p>
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