Comments on: Art and integration — or, why artists don’t paint the blur http://artandperception.com/2007/08/art-and-integration-or-why-artists-dont-paint-the-blur.html?utm_source=rss&utm_medium=rss&utm_campaign=art-and-integration-or-why-artists-dont-paint-the-blur a multi-disciplinary dialog Mon, 07 May 2012 03:49:32 +0000 hourly 1 http://wordpress.org/?v=3.3 By: adam crockett http://artandperception.com/2007/08/art-and-integration-or-why-artists-dont-paint-the-blur.html/comment-page-1#comment-39125 adam crockett Sun, 30 Sep 2007 17:31:32 +0000 http://www.artandperception.com/2007/08/art-and-integration-or-why-artists-dont-paint-the-blur.html#comment-39125 this information has helped a great deal, i am currently painting "what an artist sees". being an art student, its what i do painting on weird things etc, i managed to make a curved canvas, it seems to replicate the curvature of the human eye. also i have had to make a joiner of 4 photographs joined (photoshop) together, because the average person has a total visual range of 180 degrees, e.g. 4 photos taken at regular angles should do it, after joining these together i used a gusian blur on the edges at slowly decreasing amounts, this replicated the depth of field effect you are talking about problem is now painting it, a blur may be hard to do, but i am confident of my craftsmanship, thanks for reading my big comment, excuse bad spelling and all that jazz, i am only a student, and i can only do so much, some people paint others spell :) this information has helped a great deal, i am currently painting “what an artist sees”. being an art student, its what i do painting on weird things etc, i managed to make a curved canvas, it seems to replicate the curvature of the human eye. also i have had to make a joiner of 4 photographs joined (photoshop) together, because the average person has a total visual range of 180 degrees, e.g. 4 photos taken at regular angles should do it, after joining these together i used a gusian blur on the edges at slowly decreasing amounts, this replicated the depth of field effect you are talking about problem is now painting it, a blur may be hard to do, but i am confident of my craftsmanship, thanks for reading my big comment, excuse bad spelling and all that jazz, i am only a student, and i can only do so much, some people paint others spell :)

]]> By: Jay Hoffman http://artandperception.com/2007/08/art-and-integration-or-why-artists-dont-paint-the-blur.html/comment-page-1#comment-34043 Jay Hoffman Thu, 30 Aug 2007 17:29:24 +0000 http://www.artandperception.com/2007/08/art-and-integration-or-why-artists-dont-paint-the-blur.html#comment-34043 Why did that comment repeat itself? Well yess. At least I didn't distress. Why did that comment repeat itself?

Well yess. At least I didn’t distress.

]]> By: Jay Hoffman http://artandperception.com/2007/08/art-and-integration-or-why-artists-dont-paint-the-blur.html/comment-page-1#comment-34042 Jay Hoffman Thu, 30 Aug 2007 17:27:51 +0000 http://www.artandperception.com/2007/08/art-and-integration-or-why-artists-dont-paint-the-blur.html#comment-34042 Steve: Speaking of that Man Ray violin thing: you're saying that the holes in the woman's back are ingress-like. If the holes go all the way through, are the holes in her front then egress-like? But I digress. Steve:

Speaking of that Man Ray violin thing: you’re saying that the holes in the woman’s back are ingress-like. If the holes go all the way through, are the holes in her front then egress-like? But I digress.

]]> By: Steve Durbin http://artandperception.com/2007/08/art-and-integration-or-why-artists-dont-paint-the-blur.html/comment-page-1#comment-34036 Steve Durbin Thu, 30 Aug 2007 16:46:45 +0000 http://www.artandperception.com/2007/08/art-and-integration-or-why-artists-dont-paint-the-blur.html#comment-34036 Jay, I think you regress. Jay, I think you regress.

]]> By: Jay Hoffman http://artandperception.com/2007/08/art-and-integration-or-why-artists-dont-paint-the-blur.html/comment-page-1#comment-34028 Jay Hoffman Thu, 30 Aug 2007 16:18:07 +0000 http://www.artandperception.com/2007/08/art-and-integration-or-why-artists-dont-paint-the-blur.html#comment-34028 Steve: Speaking of that Man Ray violin thing: you're saying that the holes in the woman's back are ingress-like. If the holes go all the way through, is her front then egress-like? But I digress. Steve:

Speaking of that Man Ray violin thing: you’re saying that the holes in the woman’s back are ingress-like. If the holes go all the way through, is her front then egress-like? But I digress.

]]> By: Jay Hoffman http://artandperception.com/2007/08/art-and-integration-or-why-artists-dont-paint-the-blur.html/comment-page-1#comment-34027 Jay Hoffman Thu, 30 Aug 2007 16:13:41 +0000 http://www.artandperception.com/2007/08/art-and-integration-or-why-artists-dont-paint-the-blur.html#comment-34027 Mind if I call you Art? As for me it all blurs together. Sometimes I'll make most of the photographic decisions pending a painting in something like Harvard Graphics. Mind if I call you Art?

As for me it all blurs together. Sometimes I’ll make most of the photographic decisions pending a painting in something like Harvard Graphics.

]]> By: Art News Blog http://artandperception.com/2007/08/art-and-integration-or-why-artists-dont-paint-the-blur.html/comment-page-1#comment-34019 Art News Blog Thu, 30 Aug 2007 15:27:10 +0000 http://www.artandperception.com/2007/08/art-and-integration-or-why-artists-dont-paint-the-blur.html#comment-34019 Hey Jay, I was generalizing as some painters and photographers may blur the lines between painting and photography. Most photographers and painters think very differently though. Hey Jay, I was generalizing as some painters and photographers may blur the lines between painting and photography. Most photographers and painters think very differently though.

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