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	<title>Comments on: Making strange</title>
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	<description>a multi-disciplinary dialog</description>
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		<title>By: Francisca Agurto</title>
		<link>http://artandperception.com/2008/08/making-strange.html/comment-page-1#comment-245931</link>
		<dc:creator>Francisca Agurto</dc:creator>
		<pubDate>Sat, 26 Mar 2011 01:11:56 +0000</pubDate>
		<guid isPermaLink="false">http://www.artandperception.com/2008/08/making-strange.html#comment-245931</guid>
		<description>Breaking that &quot;familiarity&quot; is something that happens naturally, thats responds to an inner necesity, or is looked for, pursued?  The eye, and its focus not always goes where one wants, and there we face with something that appears in front of us, and there we live an outstanding experience, as an illumination.

Hope my english is understandable.</description>
		<content:encoded><![CDATA[<p>Breaking that &#8220;familiarity&#8221; is something that happens naturally, thats responds to an inner necesity, or is looked for, pursued?  The eye, and its focus not always goes where one wants, and there we face with something that appears in front of us, and there we live an outstanding experience, as an illumination.</p>
<p>Hope my english is understandable.</p>
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		<title>By: birgit</title>
		<link>http://artandperception.com/2008/08/making-strange.html/comment-page-1#comment-244545</link>
		<dc:creator>birgit</dc:creator>
		<pubDate>Sun, 13 Mar 2011 00:09:15 +0000</pubDate>
		<guid isPermaLink="false">http://www.artandperception.com/2008/08/making-strange.html#comment-244545</guid>
		<description>Reading through the comments above, I agree with Melanie &quot;I find living so chaotic and baffling that what I seek in art is clarity rooted in compassion.&quot;

&lt;em&gt;Clarity rooted in Compassion&lt;/em&gt;, I like that.</description>
		<content:encoded><![CDATA[<p>Reading through the comments above, I agree with Melanie &#8220;I find living so chaotic and baffling that what I seek in art is clarity rooted in compassion.&#8221;</p>
<p><em>Clarity rooted in Compassion</em>, I like that.</p>
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		<title>By: Jay</title>
		<link>http://artandperception.com/2008/08/making-strange.html/comment-page-1#comment-244344</link>
		<dc:creator>Jay</dc:creator>
		<pubDate>Fri, 11 Mar 2011 15:24:01 +0000</pubDate>
		<guid isPermaLink="false">http://www.artandperception.com/2008/08/making-strange.html#comment-244344</guid>
		<description>Went to the top of the post to find an assortment of images from Steve Durbin in which the subjects were photographed from unusual angles. Without refreshing myself with a perusal of the intermediate commentary I would like to respond to soros1by not addressing his points exactly, but rather bouncing off of them. 

But to be exact, making strange is a powerful thing. There can be an otherworldly feeling that results. I&#039;ve had the experience of coming upon an intersection in town from a little-used angle and seeing it as if for the first time, with an associated impression that I have entered some kind of parallel universe. Night time for me is similarly evocative as the world becomes lit from within and without. 

That&#039;s largely outside-in. Inside - out is another matter as the ever-busy mind shuffles things around. For me it&#039;s almost as though my conscious nature treats my subconsciousness as a source of amusement. It popped up recently that I should organize an image of a tic-tac-toe game where Muslim and Christian symbols should replace the customary exes and ohs. A prickly idea that creates a mild shift in contexts. Is my subconsciousness feeding me its joke of the day or is it a memory of something read? Either way I&#039;m being pushed off the path of familiarity somewhat.</description>
		<content:encoded><![CDATA[<p>Went to the top of the post to find an assortment of images from Steve Durbin in which the subjects were photographed from unusual angles. Without refreshing myself with a perusal of the intermediate commentary I would like to respond to soros1by not addressing his points exactly, but rather bouncing off of them. </p>
<p>But to be exact, making strange is a powerful thing. There can be an otherworldly feeling that results. I&#8217;ve had the experience of coming upon an intersection in town from a little-used angle and seeing it as if for the first time, with an associated impression that I have entered some kind of parallel universe. Night time for me is similarly evocative as the world becomes lit from within and without. </p>
<p>That&#8217;s largely outside-in. Inside &#8211; out is another matter as the ever-busy mind shuffles things around. For me it&#8217;s almost as though my conscious nature treats my subconsciousness as a source of amusement. It popped up recently that I should organize an image of a tic-tac-toe game where Muslim and Christian symbols should replace the customary exes and ohs. A prickly idea that creates a mild shift in contexts. Is my subconsciousness feeding me its joke of the day or is it a memory of something read? Either way I&#8217;m being pushed off the path of familiarity somewhat.</p>
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		<title>By: soros1</title>
		<link>http://artandperception.com/2008/08/making-strange.html/comment-page-1#comment-244115</link>
		<dc:creator>soros1</dc:creator>
		<pubDate>Wed, 09 Mar 2011 20:45:40 +0000</pubDate>
		<guid isPermaLink="false">http://www.artandperception.com/2008/08/making-strange.html#comment-244115</guid>
		<description>Hi. I just discovered your interesting conversation at 2:20 AM as I often think while I&#039;m sleeping. I Googled &quot;making strange&quot; because I came across the phrase years ago but it was en francais --- faire etrange -- and the idea has stuck with me that Art is just that: moving something from the normal to raise awareness and invite contemplation. 

I might suggest that in many artist&#039;s works, this process is done unconsciously. I myself have taken photos without realizing why or what attracted my attention in the first place. It&#039;s as though the mind notices something, wants to define it more closely, snaps the shutter or paints the image, then derives pleasure from contemplation. 

Whether the effect can be put into words is questionable. Yet, to be effective at all, of course, there has to be a corresponding sensation in the minds of viewers as well, and this may bring us back to artistic conventions or the escape therefrom. In other words, we need some experience to &quot;see&quot; or hear or experience this making strange.</description>
		<content:encoded><![CDATA[<p>Hi. I just discovered your interesting conversation at 2:20 AM as I often think while I&#8217;m sleeping. I Googled &#8220;making strange&#8221; because I came across the phrase years ago but it was en francais &#8212; faire etrange &#8212; and the idea has stuck with me that Art is just that: moving something from the normal to raise awareness and invite contemplation. </p>
<p>I might suggest that in many artist&#8217;s works, this process is done unconsciously. I myself have taken photos without realizing why or what attracted my attention in the first place. It&#8217;s as though the mind notices something, wants to define it more closely, snaps the shutter or paints the image, then derives pleasure from contemplation. </p>
<p>Whether the effect can be put into words is questionable. Yet, to be effective at all, of course, there has to be a corresponding sensation in the minds of viewers as well, and this may bring us back to artistic conventions or the escape therefrom. In other words, we need some experience to &#8220;see&#8221; or hear or experience this making strange.</p>
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		<title>By: Steve Durbin</title>
		<link>http://artandperception.com/2008/08/making-strange.html/comment-page-1#comment-190207</link>
		<dc:creator>Steve Durbin</dc:creator>
		<pubDate>Thu, 09 Oct 2008 20:54:01 +0000</pubDate>
		<guid isPermaLink="false">http://www.artandperception.com/2008/08/making-strange.html#comment-190207</guid>
		<description>Angie,

We don&#039;t all speak the same language. I don&#039;t know Mike, but I don&#039;t think he was trying to be obscure. His comment helps reinforce with a good example (Minor White) the idea that an apparent departure from reality (whatever that is for each of us) may help us better see reality.</description>
		<content:encoded><![CDATA[<p>Angie,</p>
<p>We don&#8217;t all speak the same language. I don&#8217;t know Mike, but I don&#8217;t think he was trying to be obscure. His comment helps reinforce with a good example (Minor White) the idea that an apparent departure from reality (whatever that is for each of us) may help us better see reality.</p>
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		<title>By: Angie</title>
		<link>http://artandperception.com/2008/08/making-strange.html/comment-page-1#comment-190145</link>
		<dc:creator>Angie</dc:creator>
		<pubDate>Thu, 09 Oct 2008 05:44:30 +0000</pubDate>
		<guid isPermaLink="false">http://www.artandperception.com/2008/08/making-strange.html#comment-190145</guid>
		<description>&quot;Of interest to me is that the process of defamiliarization can often lead to a clearer understanding of the subject matter absent our preconceptions.&quot;

It&#039;s amazing how educationally limited people attempt to hide behind theoretical artifice.</description>
		<content:encoded><![CDATA[<p>&#8220;Of interest to me is that the process of defamiliarization can often lead to a clearer understanding of the subject matter absent our preconceptions.&#8221;</p>
<p>It&#8217;s amazing how educationally limited people attempt to hide behind theoretical artifice.</p>
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		<title>By: Steve Durbin</title>
		<link>http://artandperception.com/2008/08/making-strange.html/comment-page-1#comment-168655</link>
		<dc:creator>Steve Durbin</dc:creator>
		<pubDate>Fri, 15 Aug 2008 19:47:20 +0000</pubDate>
		<guid isPermaLink="false">http://www.artandperception.com/2008/08/making-strange.html#comment-168655</guid>
		<description>melanie,

The play of light was what I was mainly interested in that day, though I made relatively few photos and haven&#039;t worked on most. I&#039;ll be experimenting with de-emphasizing everything but the highlights a la &lt;a href=&quot;http://www.artandperception.com/2008/08/stardrops.html&quot; rel=&quot;nofollow&quot;&gt;stardrops&lt;/a&gt;.

Jay,

...resisting...</description>
		<content:encoded><![CDATA[<p>melanie,</p>
<p>The play of light was what I was mainly interested in that day, though I made relatively few photos and haven&#8217;t worked on most. I&#8217;ll be experimenting with de-emphasizing everything but the highlights a la <a href="http://www.artandperception.com/2008/08/stardrops.html" rel="nofollow">stardrops</a>.</p>
<p>Jay,</p>
<p>&#8230;resisting&#8230;</p>
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