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	<title>Comments on: Healing Arts</title>
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	<link>http://artandperception.com/2009/06/healing-arts.html</link>
	<description>a multi-disciplinary dialog</description>
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		<title>By: June Underwood</title>
		<link>http://artandperception.com/2009/06/healing-arts.html/comment-page-1#comment-209937</link>
		<dc:creator>June Underwood</dc:creator>
		<pubDate>Sun, 02 Aug 2009 17:49:51 +0000</pubDate>
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		<description>Angela,

Your work inspired a wonderful set of comments. I think this is important -- maybe not as important as the work coming out of yourself, but still it has something to do with the spirit you are evoking in your painting.</description>
		<content:encoded><![CDATA[<p>Angela,</p>
<p>Your work inspired a wonderful set of comments. I think this is important &#8212; maybe not as important as the work coming out of yourself, but still it has something to do with the spirit you are evoking in your painting.</p>
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		<title>By: Angela</title>
		<link>http://artandperception.com/2009/06/healing-arts.html/comment-page-1#comment-208692</link>
		<dc:creator>Angela</dc:creator>
		<pubDate>Sat, 04 Jul 2009 16:51:16 +0000</pubDate>
		<guid isPermaLink="false">http://artandperception.com/?p=4240#comment-208692</guid>
		<description>George your comments are wonderful as they teach me to see my own work grounded in a new light, thank you!</description>
		<content:encoded><![CDATA[<p>George your comments are wonderful as they teach me to see my own work grounded in a new light, thank you!</p>
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		<title>By: George</title>
		<link>http://artandperception.com/2009/06/healing-arts.html/comment-page-1#comment-208638</link>
		<dc:creator>George</dc:creator>
		<pubDate>Fri, 03 Jul 2009 14:41:58 +0000</pubDate>
		<guid isPermaLink="false">http://artandperception.com/?p=4240#comment-208638</guid>
		<description>Angela,  I understand your approach probably better than you think. I always assumed it was intuitive and didn&#039;t mean to suggest anything otherwise. After Steve&#039;s comment I took the time to analyze what was behind his observations from a formal/technical point of view. It has more to do with the previous discussion on Albers than you.

That said, there are a lot of ways to unleash the intuitive including direct practice or rehearsal. Internalized knowledge allows the fruits of non-thinking to energize and manifest our experiences on/in other levels of perception and awareness.</description>
		<content:encoded><![CDATA[<p>Angela,  I understand your approach probably better than you think. I always assumed it was intuitive and didn&#8217;t mean to suggest anything otherwise. After Steve&#8217;s comment I took the time to analyze what was behind his observations from a formal/technical point of view. It has more to do with the previous discussion on Albers than you.</p>
<p>That said, there are a lot of ways to unleash the intuitive including direct practice or rehearsal. Internalized knowledge allows the fruits of non-thinking to energize and manifest our experiences on/in other levels of perception and awareness.</p>
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		<title>By: Angela</title>
		<link>http://artandperception.com/2009/06/healing-arts.html/comment-page-1#comment-208625</link>
		<dc:creator>Angela</dc:creator>
		<pubDate>Fri, 03 Jul 2009 07:14:06 +0000</pubDate>
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		<description>George I have learned and study academically that sort of technical knowledge about structuring and colour application and to be honest that is something completely a world apart from when I paint… I always use colour intuitively as I am emotionally and internally driven. The way the colours energetically vibrate and feel is more what I am about. This creates an imprint on the canvas. Just cannot image producing a painting in my style with a technical and calculist mind but it is fascinating to see the way you value it in the materialistic worldly view. Thank you!</description>
		<content:encoded><![CDATA[<p>George I have learned and study academically that sort of technical knowledge about structuring and colour application and to be honest that is something completely a world apart from when I paint… I always use colour intuitively as I am emotionally and internally driven. The way the colours energetically vibrate and feel is more what I am about. This creates an imprint on the canvas. Just cannot image producing a painting in my style with a technical and calculist mind but it is fascinating to see the way you value it in the materialistic worldly view. Thank you!</p>
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		<title>By: Steve Durbin</title>
		<link>http://artandperception.com/2009/06/healing-arts.html/comment-page-1#comment-208552</link>
		<dc:creator>Steve Durbin</dc:creator>
		<pubDate>Wed, 01 Jul 2009 19:11:58 +0000</pubDate>
		<guid isPermaLink="false">http://artandperception.com/?p=4240#comment-208552</guid>
		<description>George,

Thanks for the chart. Intuitively I want to separate the idea of a color from its degree of lightness/darkness, but I guess what you&#039;re saying is that they are inherently entangled. I can understand that when I think about yellow vs. blue, but it still seems odd.</description>
		<content:encoded><![CDATA[<p>George,</p>
<p>Thanks for the chart. Intuitively I want to separate the idea of a color from its degree of lightness/darkness, but I guess what you&#8217;re saying is that they are inherently entangled. I can understand that when I think about yellow vs. blue, but it still seems odd.</p>
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		<title>By: George</title>
		<link>http://artandperception.com/2009/06/healing-arts.html/comment-page-1#comment-208549</link>
		<dc:creator>George</dc:creator>
		<pubDate>Wed, 01 Jul 2009 18:27:22 +0000</pubDate>
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		<description>Steve,

Photoshop implements the Lab colorspace internally for everything. Lab is not very intuitive but essentially it has 2 channels.
A Lightness channel:
A dark/light measure of a color is (like a greyscale rendition)
Two color channels
Red  Green and Blue  Yellow

Like I said it&#039;s not very intuitive but the colors yellow and blue have the lightest and darkest &quot;Lightness&quot; value

Ok, maybe this &lt;a href=&quot;http://1.bp.blogspot.com/_5dtckxBc9q4/Skuno7IQKNI/AAAAAAAABMI/xVpviw-lJmM/s1600-h/ColorWheel.gif&quot; rel=&quot;nofollow&quot;&gt;Chart&lt;/a&gt;will help.

On the color wheel you can see that blue is on the dark side and yellow is the lightest (it&#039;s a 98% value, almost white)</description>
		<content:encoded><![CDATA[<p>Steve,</p>
<p>Photoshop implements the Lab colorspace internally for everything. Lab is not very intuitive but essentially it has 2 channels.<br />
A Lightness channel:<br />
A dark/light measure of a color is (like a greyscale rendition)<br />
Two color channels<br />
Red  Green and Blue  Yellow</p>
<p>Like I said it&#8217;s not very intuitive but the colors yellow and blue have the lightest and darkest &#8220;Lightness&#8221; value</p>
<p>Ok, maybe this <a href="http://1.bp.blogspot.com/_5dtckxBc9q4/Skuno7IQKNI/AAAAAAAABMI/xVpviw-lJmM/s1600-h/ColorWheel.gif" rel="nofollow">Chart</a>will help.</p>
<p>On the color wheel you can see that blue is on the dark side and yellow is the lightest (it&#8217;s a 98% value, almost white)</p>
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		<title>By: Steve Durbin</title>
		<link>http://artandperception.com/2009/06/healing-arts.html/comment-page-1#comment-208521</link>
		<dc:creator>Steve Durbin</dc:creator>
		<pubDate>Wed, 01 Jul 2009 05:17:08 +0000</pubDate>
		<guid isPermaLink="false">http://artandperception.com/?p=4240#comment-208521</guid>
		<description>George,

Thanks for your insights, very helpful as I learn about color.</description>
		<content:encoded><![CDATA[<p>George,</p>
<p>Thanks for your insights, very helpful as I learn about color.</p>
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