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A painting a [in several] day[s]
Recently we looked at one of Hanneke van Oosterhout‘s finished still life paintings. There were a number of excellent critiques. The painting was already sold, however, so comments could have no further impact on that picture.
Now Hanneke is in the progress of making another still life. It is not yet finished, which means that your comments could help her make this painting better.
We can follow the painting’s development over several days. more… »
Robust colors
In previous critiques here on Art & Perception I referred to a lack of “robust colors” in some paintings. I wanted to show some positive examples of what I mean by “robust colors.” These still life paintings by Gautam Rao are just what I had in mind.
Critique Me!
Posted by Hanneke van Oosterhout
This still life is about 13 cm wide. I painted everything from life. I drew directly on the panel with charcoal, then pencil. Then I made an under painting in acrylic in one day. I made the over painting oil in two days, one day focusing on the berries, the other on the cup. I think this is a good picture. Please tell me what could be done better. Photographers, have you any insights for me?
Beer and snail
I have to confess that I used to think of still-life as the most boring art from. Hanneke van Oosterhout’s paintings have raised my appreciation of ordinary everyday objects, which is nice. But her imaginary still-life drawings add a whole new level of intellectual and artistic interest for me in the still-life genre.
This drawing of a glass of beer is exciting despite being of a mundane topic. I think that working from imagination allows Hanneke to tap into a new level of creativity (sorry for the lousy pun).
Where she is going with this approach, what will be the final result, remains to be seen.
This snail doesn’t seem to like beer so much.
Still life of the imagination
Hanneke van Oosterhout started making imaginary still-life in an accidental way, but now she is beginning to focus on it purposefully. Here is one example she drew in about half an hour.
“It’s great to be able to work so freely,” she said while drawing. “I don’t feel stiff. It’s wonderful because you don’t need to look up [at a real still-life], you just keep on drawing . . .”
Hanneke added, “It’s handy, because you don’t have to buy all that stuff!” meaning the objects. But in fact, the objects she draws are ones that she has in her studio (and her memory, of course). This raises the possibility of combining the imaginary image with real-life detail in an oil painting.
