Sand makes for soft curvatures.
Close-ups of the dunes show more… »
a multi-disciplinary dialog
Sand makes for soft curvatures.
Close-ups of the dunes show more… »
For artwork to hold significance or persuasion, according to the ancient Greeks, it must have grounding in reality.
How about a rock and its watery reflection falling into outer space,
Stone People at Old Mission Peninsula, fully submerged in the Great Lake a decade or so ago, are now exposed,
Musings on photography recently talked about the idea of cliché. Below is a country lane that happens to be pregnant with possibility.
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Pursuing my two favorite motifs, water and the anatomy of movement, I started making composites, extracting from one image and pasting onto another.
Showing the first version of this composite to a mentor, he questioned me about shadows.
June’s post led to a discussion of vertical lines. Three pictures are shown here that show not only vertical lines but also put them either at the center of a picture or where they frame a path in the center of the picture:
(1) In the 19th century, Pierre Etienne Theodore Rousseau put a road lined by trees pretty much into the center of his painting ‘Village of Becquigny”.