Art & Perception

People on this site take their photography seriously.

Me, I play around. I take my camera to a tidy little pond with a walkway in a nearby metro park, where I capture whatever the season and the light permit. Photographing the plant life there is somewhat like shooting fish in a barrel.

There are things that I forswore, but now I swear I do. I once considered the extent of my cunning to constitute the limits of my accomplishment, and looked askance at any number of the tools that I now unabashedly employ. And the images that I bring back from the pond are increasingly subjected to my ever laxer and self-indulgent propensities. Instead of rolling up my sleeves on location and really getting into the moment, I point and shoot and place my faith in the little Photoshop of horrors. This sort of thing was not supposed to happen – my parents raised me better than to click like that.

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Some time back (2005) the BBC conducted a poll in England that asked people to pick out the most popular painting in their land. In a field crowded with van Gogh’s evocative pictures and Monet’s breathtaking impressions, the winner turned out to be a rather ordinary-by-today’s-standards painting by J.M.W. Turner titled the ‘The Fighting Temeraire’. Somewhat more surprising was the fact that the second prize also went to a similarly bucolic oil painting by Constable – ‘The Haywain’. (Arnolfini Portrait by Jan van Eyck was ranked fourth – one of my favorites) more… »

The problem with the blog is fixed and we are back in business :-)

I just returned from a short trip that, as it turned out, provided the opportunity to revisit some previous locations and subjects. It was interesting to notice what I found interesting this time around, what I did differently, and whether there is any direction apparent. Today I’ll focus on the color abstracts in my ongoing Patina project, which is based on surfaces of junkyard vehicles and weathered rocks.

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From The art of looking sideways, by Alan Fletcher. Quotes are by the author, unless otherwise noted.

Gold mining consists of sifting three tons of rubbish for each ounce of gold extracted.

It’s always better to be looked over than overlooked.
-Mae West

The man who can’t visualize a horse galloping on a tomato is an idiot.
-Andre Breton

Thinking is drawing in your head.

Art, like morality, consists in drawing the line somewhere.
-G. K. Chesterton

Underwood, Stinking Water Area, large and small oil on masonite, and a photograph, off the Stinking Water Acess Road.

“I took my easel and canvas and brushes to the top of the bluff, and painted two views from the same spot…. From this enchanting spot there was nothing to arrest the eye from ranging over [the Missouri’s] waters for the distance of twenty or thirty miles.”

[Artist George Catlin, as quoted in William H. Truettner, The Natural Man Observed: A Study of Catlin’s Indian Gallery (Washington, D.C.: Smithsonian Institution Press, 1979), p. 247, found on the of the Smithsonian website.

As Karl said (here) one has to become acquainted with the landscape before one can paint it. And as George Catlin remarked about a different landscape “there was nothing to arrest the eye…for the distance of twenty or thirty miles.

Aside from artistic masochism, why do we paint landscapes?

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Recently, I embarked on a little mini project in a bid to better understand the vagaries of photography. I find photography a hard master and am still unable to photograph my paintings to the level of detail I want… This mini-project may just be regarded as another attempt at understating photography better. The premise was simple: Instead of turning the camera to outside subjects like “people, landscape, houses, family’, I decided to turn it inwards. I decided that I was going to photograph just objects in and around the confines of our home. What initially was envisaged as a dull chronicle of household items turned out to be quite an exciting one (at least for me).

Sunil Gangadharan, ‘Juxtaposition’, digital photograph 

I took about 50 pictures in a space of about two hours. All of them shot inside. I have posted a majority of them to the flickr site here. To see as slideshow click here.

So, instead of asking some serious art question (which I frequently find myself thinking more and more), I decided to take it easy and play.