Posted by Birgit Zipser on February 9th, 2010
Children’s Water Dreaming 1972, 62 x 44 cm, Shorty Lungkarta Tjungurrayi
Aborigines used Australia’s wealth in ochre colors (iron oxides) to paint their mythologies on sand, cut bark of stringybark tree and their bodies. In 1972, acrylic paints and masonite boards were made available to a few Aboriginal men congregating in a ‘painting club’. While the usage of contemporary materials served to adulterate, it also helped to popularize Australian Aboriginal art. more… »
Posted by Birgit Zipser on January 13th, 2010
Posted by Birgit Zipser on January 5th, 2010
Finely ground black sand overlies coarser light sand at a particular location along the shore of Lake Michigan.
Rough surf paints in black sand.
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Posted by Birgit Zipser on December 4th, 2009
12×12 inches, maple sized with wood glue, oil
Not only am I preoccupied with water, now there are also birds. Earlier, there were ducks, here and here; now, my first raven.
Posted by Birgit Zipser on November 3rd, 2009
oil on a maple, 12 x 12 inches
A meditating duck in the Banter Lake outside Liselotte’s cabin in Wilhelmshaven.
The color that I chose for painting water in Northern Germany differs from my usual Lake Michigan color mix. Today, it consists of Ultramarine Blue, Dioxane violet, Titanium White and Zinc White.
I paint water, June paints the desert. Do you also have a proclivity for a particular motif or theme?
Posted by Birgit Zipser on October 25th, 2009
Sunset, from a Dune at Lake Michigan,
What are the accompanying sounds? Below, waves splashing against the shore and all around me, happy voices articulating multilingually.
Posted by Birgit Zipser on October 12th, 2009
Early morning walk in Greenwich Village.
Inspired by one of my heroes, Richard Estes. Reflections, reflections, reflections…