Posted by Birgit Zipser on April 13th, 2010
A documentary on the progress of a layer of clay descending a dune

Oil on maple, 24 x 18 inches
For more than a decade, we have been watching a layer of clay slowly descending a slope of the Empire Bluff. Usually, the ‘necklace’ stands out as a vegetation-free band. But on a winter day, it was nicely accentuated by snow.
I have given up walking around this aspect of the bluff out of concern that there suddenly could be a slide of clay. Two decades ago, the north-western most tip of the dunes at Glenhaven caved in after I walked there with my dog. Since then, I have grown to respect the forces of nature here.
Posted by Birgit Zipser on April 10th, 2010
A natural riverside park were I went to relax – a long time ago.
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Posted by Birgit Zipser on March 29th, 2010
Posted by Birgit Zipser on March 12th, 2010

oil on maple panel, 40 cm x 50 cm
Improvised from a photograph this winter taken near Otter Creek in the Sleeping Bear Dunes.
Colors were mixed from Ultramarine blue, Manganese violet, Turner yellow, Chinese Lake, white and black. None of the mixtures displayed even the slighted hint of green.
Having gained some experience with choosing and mixing pigments, I consider, that a next, fruitful step in learning to be a better painter will be to follow Cennini‘s advice and practice drawing – daily.
Posted by Birgit Zipser on February 9th, 2010

Children’s Water Dreaming 1972, 62 x 44 cm, Shorty Lungkarta Tjungurrayi
Aborigines used Australia’s wealth in ochre colors (iron oxides) to paint their mythologies on sand, cut bark of stringybark tree and their bodies. In 1972, acrylic paints and masonite boards were made available to a few Aboriginal men congregating in a ‘painting club’. While the usage of contemporary materials served to adulterate, it also helped to popularize Australian Aboriginal art. more… »
Posted by Birgit Zipser on January 13th, 2010
Posted by Birgit Zipser on January 5th, 2010
Finely ground black sand overlies coarser light sand at a particular location along the shore of Lake Michigan.
Rough surf paints in black sand.
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