From today’s New York Times “Digital manipulation is just another tool. It’s less profound than the lens you use, or the angle. But in the end, photography is all about manipulation, and as it’s evolved, it’s become more manipulative in every way. I’ve never seen photography as a truthful medium. It’s about individual perceptions of reality, and that’s what people want to see.”

The Times examines the work of London photographer, Nick Knight.  “When I’m producing a piece of work,” Knight says, “I’m looking for something I haven’t seen before, and once I’ve produced it, I’ll want to see something else.”

One of the world’s most successful fashion photographers, Knight lives in the digital world.

I realized that one of the most fascinating and potentially controversial and engaging aspects of digitally enhanced photography is that unlike any other visual art form before it, just about anyone with a computer can have at it.  A great artist’s work (assuming you accept Knight as a great artist) becomes an interactive experience that can evolve, devolve and easily change according to the viewer’s own vision.  Imagine a visual art form that is a photograph or creation that is the combined effort and vision of both the artist and the viewer(s).  Warhol’s multiple images reimagined except the series is the work of the original artist digitally “enhanced” infinitely by his viewers.